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TAMING MESS: REMEMBERING GESTURE THROUGH PAINTING
Te Wai Ngutu Kākā, Gallery One, 40 St Paul Street, Tāmaki Makaurau Auckland.
My graduating exhibition of a practice-led MVA in painting examined body-based memory acquired through repetitive care practices and affective relations with domestic surfaces. I drew from years of experience with sensory actions like wiping with sponges and cloths and using scrubbing tools. By letting go of working with traditional painting brushes, I prioritised haptic senses to experience subconscious body-held and felt learning. This internal knowledge emerged as expressive painted abstractions, traces of a unique visual language encoded with affect relations. During making and taming messy mediums, I explore and control states of wildness. My encounters with surfaces are events where I focus on close touch-making, borrowing colours and working with and against abjection. Through my process and paintings I whisper, shout, state, argue and question notions of care, ownership and agency.
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Image ©Paul Chapman
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On a good day, 2024. Paint and mediums on board, variable orientation, 1220 x 2440. POA.
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Image ©Paul Chapman

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Dispensation, 2024. Paint and mediums on board, 900 x 1200. SOLD
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Elsewhere thoughts, 2024. Paint and mediums on board, 900 x 1200. SOLD
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Lasting-Fleeting, 2024. Paint and mediums on board, 900 x 1200.
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The Sixth, 2024. Paint and mediums on board, 900 x 1200.
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Thus spoke!, 2024. Paint and mediums on board, 900 x 1200.
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No matter how vast, 2024. Paint and mediums on board, 900 x 1200.
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Yield, 2024. Paint and mediums on board, 900 x 1200.
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Respite, 2024. Paint and mediums on board, 900 x 1200.
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Unlocked, 2024. Paint and mediums on board, 900 x 1200.
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Vigil, 2024. Paint and mediums on board, 420 x 600.
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Coda, 2024. Paint and mediums on board, 420 x 600.
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Quantum, 2024. Paint and mediums on board, 420 x 600.

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